Introduction:

Ph.D. in Drama by Practice as Research signifies a paradigm shift in doctoral studies, emphasizing the significance of artistic practice as a mode of research. This interdisciplinary approach allows practitioners to engage deeply with their craft while contributing to scholarly discourse through reflective analysis and critical inquiry.

 

Admission Process:

1. Proposal Submission: Prospective candidates typically submit a research proposal outlining their artistic project and research objectives.
2. Portfolio Review: Evaluation of the candidate's artistic portfolio, showcasing previous works and demonstrating proficiency in their chosen field.
3. Interview: Shortlisted candidates may be invited for an interview to discuss their proposed project and suitability for the program.
4. Academic Background: While prior academic qualifications are considered, emphasis is placed on the candidate's artistic practice and potential for innovative research.
5. Collaborative Engagement: Some programs prioritize candidates who demonstrate a willingness to collaborate with peers and engage in interdisciplinary dialogue.

 

Eligibility Criteria:

1. Artistic Proficiency: Candidates are expected to have a high level of proficiency in their chosen artistic discipline, whether it be acting, directing, playwriting, or any other aspect of theatre.
2. Research Aptitude: Demonstrated ability to engage in scholarly research, including critical analysis, literature review, and theoretical discourse.
3. Innovative Proposal: Submission of a compelling research proposal that integrates artistic practice with theoretical inquiry, demonstrating originality and feasibility.
4. Commitment to Inquiry: A genuine interest in exploring new ideas, challenging conventions, and contributing to the advancement of knowledge in the field of Drama.
5. Alignment with Program Goals: Understanding and alignment with the program's emphasis on Practice as Research and its implications for artistic and scholarly endeavors.

 

Completion Time:

The completion time for a Ph.D. in Drama by Practice as Research varies depending on the nature of the artistic project, research scope, and individual progress. On average, it may take between three to six years to complete the program.

 

Career Opportunities:

1. Academia: Opportunities abound in academia as professors, researchers, or academic administrators specializing in Practice as Research methodologies.
2. Artistic Practice: Continued engagement in artistic practice as performers, directors, playwrights, or creators, integrating research insights into creative endeavors.
3. Arts Administration: Leadership roles in arts organizations, cultural institutions, or funding agencies, shaping policies and practices in support of Practice as Research.
4. Consultancy and Advocacy: Consulting roles in the arts sector, providing expertise on Practice as Research methodologies, or advocating for its integration into artistic and educational contexts.
5. Interdisciplinary Collaboration: Collaboration with scholars, artists, and practitioners from diverse fields, contributing to interdisciplinary research projects and initiatives.

 

Syllabus:

1. Artistic Practice Modules: Hands-on workshops, rehearsals, and performances focused on honing artistic skills and exploring new approaches to practice.
2. Research Methodologies: Training in qualitative and quantitative research methods, including practice-led research, autoethnography, and participatory action research.
3. Theory and Criticism: Critical examination of key theories and concepts in Drama and performance studies, contextualizing artistic practice within broader scholarly discourse.
4. Reflective Practice: Encouraging reflective dialogue and critical self-assessment, fostering a culture of inquiry and continuous improvement.
5. Thesis Development: Guidance and support in developing a thesis that synthesizes artistic practice, theoretical analysis, and research findings.

 

Internship Opportunities:

1. Artistic Residencies: Residencies with theatre companies, performance venues, or cultural institutions, offering opportunities to engage in collaborative projects and artistic exchange.
2. Research Collaborations: Collaborative projects with academic institutions, research centers, or community organizations, integrating artistic practice with scholarly inquiry.
3. Professional Development: Workshops, seminars, and conferences focused on professional development, networking, and career advancement in the field of Drama and Practice as Research.
4. Teaching Opportunities: Teaching assistantships or guest lecturer positions, providing experience in pedagogy and curriculum development within higher education settings.
5. Cross-Disciplinary Engagements: Participation in interdisciplinary initiatives, conferences, or festivals, fostering connections with scholars and practitioners from diverse fields.

 

Scholarships and Grants:

1. Practice-Based Grants: Funding opportunities specifically designed to support artistic projects and practice-led research endeavors.
2. Research Fellowships: Fellowships offered by universities, research institutes, or arts organizations to support doctoral research in Drama and Practice as Research.
3. Arts Council Grants: Grants provided by national or regional arts councils to support artistic innovation, experimentation, and professional development.
4. Institutional Scholarships: Merit-based scholarships and tuition waivers offered by universities to exceptional Ph.D. candidates in Drama and related fields.
5. Industry Sponsorships: Sponsorship opportunities from industry partners, theatre companies, or cultural institutions interested in supporting research projects aligned with their mission and goals.

 

FAQs:

What distinguishes a Ph.D. in Drama by Practice as Research from traditional doctoral programs?

Unlike traditional programs, Practice as Research emphasizes the integration of artistic practice with scholarly inquiry, offering a holistic approach to doctoral studies.

 

Can I pursue a Ph.D. in Drama by Practice as Research without a background in academia?

Yes, the program welcomes candidates from diverse backgrounds, including professional artists, practitioners, and industry professionals.

 

How do I balance artistic practice with academic research in the program?

The program encourages a symbiotic relationship between practice and research, with opportunities to integrate artistic projects into the doctoral thesis.

 

What resources and facilities are available to support artistic practice and research?

Universities often provide state-of-the-art facilities, performance spaces, research libraries, and mentorship from experienced faculty members.

 

What impact does Practice as Research have on the broader field of Drama and Theatre Studies?

Practice as Research contributes to the evolution of Drama and Theatre Studies by expanding methodologies, fostering interdisciplinary collaborations, and enriching artistic practice with scholarly insights.